
Types of 35mm Lenses
DSLR Lenses – Canon vs. Nikon Mount
There are a huge range of DSLR lenses which offer
excellent optics and variations on primes, zooms, mounts
etc that the choice can be bewildering. However, some
useful points about using DSLR lenses for cinematic
productions:
Firstly, modern digital SLR cameras tend to be fully
automatic and all of the lens controls are operable from
the camera. Consequently, over time, the manual
functions began to disappear from stills lenses, so that
today many lenses available to buy do not have a manual
iris ring, which makes them useless for the lens adapters
above. Canon followed this lead and even their most
expensive lenses don’t have a manual iris ring, so the
camera body always controls the iris adjustment.
This is counter to how cinematographers like to work, so VMI prefer to offer fully-manual
Nikon-mounted Zeiss ZF Distagon and ZF planer lenses with high quality Nikon-Canon
adapter rings. This means that you have the benefit of using a fully manual lens on a DSLR
adapter.
Problems with using stills lenses for video applications
1. Stills lenses aren't built to withstand the rigours of motion picture film
production, which means that they are built in much more lightweight lens housings.
As a result of this, the screws holding a lens together are not designed to withstand
the forces applied when using follow focus units etc. If you use a lens control system
to control the focus, then the power of the servo units is sufficient to rip the screws of
a stills lens apart!
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